This article explores the potential of experiential education for students in the field of information culture. Specifically, it investigates experiences using information for learning and knowledge building, focusing on the materiality and sensory/sensitive dimensions of these experiences: giving equal attention to things, objects, materials, and sensory experiences (Thrift, 2008; Savolainen, 2020). In this view, information is understood in a broad sense, as “related to becoming informed”: something is information if it is informative (Bukland, 1991). The idea is that students are not disembodied cognitive beings (Bruner, 1986, p. 5), they are active beings who learn through action and experiences (Dewey, 1925), active agents in the historical process of constructing their own world (Bruner, 1986); and that in this process, the body has an active, productive and sensuous role, throughout the information activities: each object, each material constitutes a path towards knowledge, each gesture expresses a becoming in service to its construction (Ingold, 2018). Field experience is inductive, it is both a voyage of world discovery and of self-discovery.
In this perspective, referring to an active self, articulating the sensitive and the social (Laplantine, 2009), the experience is creative. From primary experience, in its subjective version, a way of experiencing the world, to secondary experience, more reflective, which clarifies it by organizing it, experience is formative and transformative; it participates in the creation of useful knowledge (Dewey, 1925). Knowledge is thus constructed in the flow of experiences, with phases of self-reflection and distancing; it is not a linear and mechanical process. Culture – like information culture as “culture” – is alive, context-sensitive and emergent (Bruner, 1986).
We propose investigating and questioning here these different relationships to materials, objects and information, involved in the learning process and knowledge construction, by considering how knowledge is informed by experience, putting the body and the mind on alert in a same movement. In addition, we propose conducting this investigation and questioning from an anthropo-social perspective, by focusing on the dynamics that emerge, paying attention to the ordinary, the banal, as well as to the unexpected or the event, to what “happens and becomes” (Laplantine, 2022).
The empirical data that informs this article is drawn from a research project in school context, still ongoing in its qualitative part (2019; 2020; 2021). They are ethnographic data, collected over time, in immersion, closely to the actors, without an a priori grid (which would orient towards an interpretative system), but with a requirement of globality (rich observations, interviews, informal conversations, documents, photographs). Consistent with this approach, the references to an interpretative universe remain open: functioning as starting points, theoretical levers (vs. framework), they form a space open to reflection, intuition and the uncovering of meanings.
For this article, we focus on three projects observed in secondary schools, aiming at opening the school to the world, beyond the school space, and in which the sensitive/sensory dimensions play an important role (walking, as a learning path; creative production using the five senses; tinkering and making in fablabs/libraries). The passage through the material, the sensitive, the sensory is of great heuristic potential in the construction of knowledge and culture.
References
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Yolande Maury
Université de Lille, France